刘丽. “题旨结构”:主题多样性的终极溯源——从《汉宫秋》看戏剧主题多样性的成因[J]. 北京工业大学学报(社会科学版), 2008, 8(4): 71-76.
    引用本文: 刘丽. “题旨结构”:主题多样性的终极溯源——从《汉宫秋》看戏剧主题多样性的成因[J]. 北京工业大学学报(社会科学版), 2008, 8(4): 71-76.
    LIU Li. "Theme Structrue":Traces to the Ultimate Source of Subject Variety:Study on the Play Subject Variety Based on Autumn in Palace[J]. JOURNAL OF BEIJING UNIVERSITY OF TECHNOLOGY(SOCIAL SCIENCES EDITION), 2008, 8(4): 71-76.
    Citation: LIU Li. "Theme Structrue":Traces to the Ultimate Source of Subject Variety:Study on the Play Subject Variety Based on Autumn in Palace[J]. JOURNAL OF BEIJING UNIVERSITY OF TECHNOLOGY(SOCIAL SCIENCES EDITION), 2008, 8(4): 71-76.

    “题旨结构”:主题多样性的终极溯源——从《汉宫秋》看戏剧主题多样性的成因

    "Theme Structrue":Traces to the Ultimate Source of Subject Variety:Study on the Play Subject Variety Based on Autumn in Palace

    • 摘要: 文章试图改变主题的传统思维方式,认为《汉宫秋》具有一种"题旨结构",即由众多的思想因子在特定的历史美学情境中瞬间交融而成。"题旨结构"的特殊性导致了作品思想内涵的丰富性,这也正是一部作品产生众多主题说的根本原因;同时,"题旨结构"理论也为探究其他类似戏剧作品之思想内涵指出了一条可行之路.

       

      Abstract: This paper attempts to change the traditional way of thinking theme, and believes that Autumn in Palace is of a kind of "theme structure", which is produced instantaneously through combination of numerous thinking factors in the specific historical esthetic situation. The special nature of "theme structure" leads to the richness of the content of the work, and it is also the fundamental cause of subject variety of a work. At the same time, the "theme structure" theory also provides a feasible method for us to explore the thoughts and contents of other similar works.

       

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