张硕. 古代边塞诗“辽阳”意象与民族文化心理[J]. 北京工业大学学报(社会科学版), 2014, 14(3): 65-70.
    引用本文: 张硕. 古代边塞诗“辽阳”意象与民族文化心理[J]. 北京工业大学学报(社会科学版), 2014, 14(3): 65-70.
    ZHANG Shuo. Imagery Liaoyang of Frontier Poetry and National Psychology[J]. JOURNAL OF BEIJING UNIVERSITY OF TECHNOLOGY(SOCIAL SCIENCES EDITION), 2014, 14(3): 65-70.
    Citation: ZHANG Shuo. Imagery Liaoyang of Frontier Poetry and National Psychology[J]. JOURNAL OF BEIJING UNIVERSITY OF TECHNOLOGY(SOCIAL SCIENCES EDITION), 2014, 14(3): 65-70.

    古代边塞诗“辽阳”意象与民族文化心理

    Imagery Liaoyang of Frontier Poetry and National Psychology

    • 摘要: 中国古代边塞诗中的“辽阳”意象反映了古代诗人在民族矛盾、民族利益和国家领土等问题上的意识与感受。其具体寓意呈现了既稳定又多变,既有地理原色和实指性,又有艺术符号和象征性的特色。“辽阳”意象反映古人对国家统一、民族强盛的渴求。在壮志难酬时的蹉跎蹭蹬,在民族冲突尖锐时的忧患意识和爱国热忱,对不合理的征戍制度以及统治者好大喜功、肆意开发边疆的有力抨击;给予普通民众以人道关怀,体现了地理之“象”与民族之“情”的完美结合。

       

      Abstract: The imagery Liaoyang of frontier poetry reflects the sense of ancient poets about national affairs.The meaning of Liaoyang is both stable and variable.It has both geographic color and practical sense,including the traits of artistic symbols.Liaoyang also reflects ancient poets' national psychology,which contains the desire of strong national power,the disappointment of career,the enthusiasm of loving country,the criticism of leader's greatness and success and the humanitarian of people.It is the bond between the image of geographic and the emotion of national.

       

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