关峰. 论《兄弟》的复调结构[J]. 北京工业大学学报(社会科学版), 2014, 14(4): 63-67.
    引用本文: 关峰. 论《兄弟》的复调结构[J]. 北京工业大学学报(社会科学版), 2014, 14(4): 63-67.
    GUAN Feng. Parallel on the Brothers[J]. JOURNAL OF BEIJING UNIVERSITY OF TECHNOLOGY(SOCIAL SCIENCES EDITION), 2014, 14(4): 63-67.
    Citation: GUAN Feng. Parallel on the Brothers[J]. JOURNAL OF BEIJING UNIVERSITY OF TECHNOLOGY(SOCIAL SCIENCES EDITION), 2014, 14(4): 63-67.

    论《兄弟》的复调结构

    Parallel on the Brothers

    • 摘要: 作为产生广泛影响的代表性作品,《兄弟》的研究是作家余华乃至中国当代文学研究的重要组成部分。小说的重点是在2个人物上的塑造和对照,哥哥宋钢沉稳、和顺,带有梦一般的日神美;弟弟李光头却张扬、强硬,仿佛是醉的酒神世界。余华选择性的浓墨重彩的手法也许容易留下把柄和口实,但却替巨变中的中国记录和保存下真实而生动的档案性文本。刘镇是社会和国民性批判的编码。在巴赫金复调理论基础上,运用比较法,指出余华借身体隐喻社会,借狂欢说狂欢,结果反而不再狂欢。

       

      Abstract: The novel of The Brothers is a fiction of two kinds of life and angel.The important point of the book is the form and the contrast of the two characters.The Brothers are just like spirits of Apollo and Dionysus by Nietzsche.Li Guangtou is a statue of the age spirit.Strong spaces are constituted through the dead Song Gang and the living Li Guangtou.Yu Hua's special ways record the most primitive files for China.The meaningful space signifies much sadness in Yu Hua.

       

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