李斌. 论营业性演出对左翼话剧意识形态功能的解构[J]. 北京工业大学学报(社会科学版), 2016, 16(1): 59-64.
    引用本文: 李斌. 论营业性演出对左翼话剧意识形态功能的解构[J]. 北京工业大学学报(社会科学版), 2016, 16(1): 59-64.
    LI Bin. On the Deconstructing to the Commercial Performances of Left-wing Drama Ideology[J]. JOURNAL OF BEIJING UNIVERSITY OF TECHNOLOGY(SOCIAL SCIENCES EDITION), 2016, 16(1): 59-64.
    Citation: LI Bin. On the Deconstructing to the Commercial Performances of Left-wing Drama Ideology[J]. JOURNAL OF BEIJING UNIVERSITY OF TECHNOLOGY(SOCIAL SCIENCES EDITION), 2016, 16(1): 59-64.

    论营业性演出对左翼话剧意识形态功能的解构

    On the Deconstructing to the Commercial Performances of Left-wing Drama Ideology

    • 摘要: 左翼话剧分为以移动演出为主和以营业性剧场演出为主2个阶段。前一阶段的突出特点表现为作者伪装登台的结构方式,这有利于实现左翼文坛对话剧意识形态功能的诉求。后一阶段左翼话剧主力进入营业性剧场,在多角度展示时代画面的同时,为迎合观众趣味,采用了传奇性或噱头,最终解构了左翼话剧的意识形态功能。

       

      Abstract: Left-wing drama is divided into two stages:the feature of the first stage is mobile performance and the commercial performance is the author camouflage on the stage.This contributed to the implementation of left-wing literary ideology function of drama.During the second stage the main force of the left-wing drama enters into the commercial theaters,while showing the various angles of the time,in order to cater to audience tastes,the legendary or gimmicks is adopted,which deconstructs the left-wing drama ideological function in the end.

       

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