韦春喜, 张影. 论李白的乐府咏史诗[J]. 北京工业大学学报(社会科学版), 2009, 9(1): 67-72.
    引用本文: 韦春喜, 张影. 论李白的乐府咏史诗[J]. 北京工业大学学报(社会科学版), 2009, 9(1): 67-72.
    WEI Chun-xi, ZHANG Ying. Discussion on Li Bai's History-Intoned Yuefu Poetry[J]. JOURNAL OF BEIJING UNIVERSITY OF TECHNOLOGY(SOCIAL SCIENCES EDITION), 2009, 9(1): 67-72.
    Citation: WEI Chun-xi, ZHANG Ying. Discussion on Li Bai's History-Intoned Yuefu Poetry[J]. JOURNAL OF BEIJING UNIVERSITY OF TECHNOLOGY(SOCIAL SCIENCES EDITION), 2009, 9(1): 67-72.

    论李白的乐府咏史诗

    Discussion on Li Bai's History-Intoned Yuefu Poetry

    • 摘要: 李白的部分乐府咏史诗,虽然在表面上具有与南朝相似的题材女性化、趋同化特征,却蕴涵有女性生命关怀意识;而其他大部分作品则全面恢复汉魏兴寄传统,扭转了南朝、初唐时期比较孱弱单一的格局,拓展了乐府咏史的题材,标志着盛唐乐府咏史进入了一个广阔天地。同时,其乐府咏史诗具有很强的音乐性,多为旧题,但能恰当地处理复古与革新的关系,表现出独有的艺术特征。此研究有助于深化对李白诗歌的认识。

       

      Abstract: Li Bai's history-intoned Yuefu poetry showed feminine and similar themes, but at the same rime paid serious attention to female life. Most of the rest of the poetry renewed Han, Wei's Xing-Ji tradition, changed the weak and monotonous situation of poety in the Southern and the early Tang Dynasties, extended the range of subjects and signaled the poetry of the flourishing Tang Dynasty coming into a new stage. His poems had musical features and used old rifles. However, he correctly handled the relationship of restoration and innovation and showed unique artistic traits. So the study can deepen our knowledge about Li Bai's poems.

       

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