伍明春. 文化记忆、抒情策略和文类自觉——略论地震题材诗歌[J]. 北京工业大学学报(社会科学版), 2010, 10(1): 57-60,80.
    引用本文: 伍明春. 文化记忆、抒情策略和文类自觉——略论地震题材诗歌[J]. 北京工业大学学报(社会科学版), 2010, 10(1): 57-60,80.
    WU Ming-chun. Cultural Memory,Lyrical Strategy and Genre Self-consciousness[J]. JOURNAL OF BEIJING UNIVERSITY OF TECHNOLOGY(SOCIAL SCIENCES EDITION), 2010, 10(1): 57-60,80.
    Citation: WU Ming-chun. Cultural Memory,Lyrical Strategy and Genre Self-consciousness[J]. JOURNAL OF BEIJING UNIVERSITY OF TECHNOLOGY(SOCIAL SCIENCES EDITION), 2010, 10(1): 57-60,80.

    文化记忆、抒情策略和文类自觉——略论地震题材诗歌

    Cultural Memory,Lyrical Strategy and Genre Self-consciousness

    • 摘要: 研究了地震题材诗歌的写作特点,认为地震题材诗歌写作的热潮不能简单地泛化为一个文化事件,事实上,现代汉语诗歌的一些基本艺术问题,如文化记忆的承担、抒情策略的运用以及文类自觉的诉求等,都在这些诗歌里得到了反映,因此,应回到现代汉诗写作的语境和立场,对地震题材诗歌写作做出一种全方位的观照。

       

      Abstract: Seismic poem writing can not simply be generalized as a cultural event.As a matter of fact,some of the basic issues of the modern Chinese poetry,such as,cultural memory of the commitment,the use of lyrical strategies as well as the demands of genre self-consciousness,are reflected in these poems.Therefore,a comprehensive examination should be made to the seismic poem writing by means of returning to the context of modern Chinese poetry writing.

       

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