张颖慧. 尼采“生命美学”思想探析[J]. 北京工业大学学报(社会科学版), 2014, 14(1): 76-79.
    引用本文: 张颖慧. 尼采“生命美学”思想探析[J]. 北京工业大学学报(社会科学版), 2014, 14(1): 76-79.
    ZHANG Ying-hui. Analysis to Nietzsche's “Life” Aesthetics[J]. JOURNAL OF BEIJING UNIVERSITY OF TECHNOLOGY(SOCIAL SCIENCES EDITION), 2014, 14(1): 76-79.
    Citation: ZHANG Ying-hui. Analysis to Nietzsche's “Life” Aesthetics[J]. JOURNAL OF BEIJING UNIVERSITY OF TECHNOLOGY(SOCIAL SCIENCES EDITION), 2014, 14(1): 76-79.

    尼采“生命美学”思想探析

    Analysis to Nietzsche's “Life” Aesthetics

    • 摘要: 作为转型期的代表人物,尼采把“生命美学”发挥到了极致。其“生命美学”的思想表现在:以“梦”和“醉”的审美状态拯救生命,以“人”本位的艺术再现生命和以“超人”的审美理想扩张生命。尼采的生命美学思想充分表现了他对人之欲望的尊重,对人之能力的重视,其思想因其“生命”的内涵有着更加强悍的生命力。

       

      Abstract: As the representative of the transition period,Nietzsche did an excellent job in developing life aesthetics.He showed us his development to the life aesthetics in three aspects;to rescue life through two different aesthetic state dream and drunk;to reproduce life by the aesthetic standpoint of "for human themselves";to enlarge life with the aesthetic ideal of "Superman".The life aesthetics of Nietzsche indicated his respect to the human desire and also his regard to human's ability.Therefore,his thinking,due to the life connotation,has much more vitality.

       

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