比较诗学视域下的“花儿”起兴考察

    “Flowers” QiXing to the Poetics Inquiry

    • 摘要: 基于比较诗学的视域,参用诗之起兴句的研究成果,考察了西北地区“花儿”中起兴的实质。发现“花儿”中的起兴实质包括3层含义:由“兴”的本义“托事于物”,“引譬连类”征知“花儿”之“兴”的实质,是由自然景物的某种特征而触发歌者心中的特定期待,因而发声为歌;由“兴”之本义演唱仪式的自然节奏唤起“花儿”歌者的情绪律动,使演唱气氛达到浑然醉境;而情趣与意象契合无间的经典“花儿”的形成,则标志着“花儿”比兴艺术的成熟。

       

      Abstract: From the perspective of the comparative poetics,in referring to the research results of the senses of poems,the essence of the "flowers" is explored,which includes three levels of meaning;The essence of the thriving "flowers" is from the special expectation of the singers evoked by the features of the natural views,so the sound sending out as songs;the emotion of the singers evoked by the natural rhythm nations,caused the performance atmosphere to become very excited and drunk;the formation of the classic "flowers" combined properly from the emotional taste and meaning marks the mature of the Bixing Art.

       

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